Friday, August 31, 2012

1100 miles to Graceland—Act II

            Memphis has the strangest looking bugs I've ever seen. As I was sipping my god awful coffee in front of the Super 8 I was lodging in, a bug that looked something like an anorexic bee, flapping its wings so fast you couldn't quite tell if it had any at all, hovered in front of me like it was dangling from the end of a spiders web. If it didn't move, just slightly to its left, I would have believed it really was attached to one. I was completely fascinated. I offered the little guy some of my coffee but even he turned the other cheek and flew off towards the direction of Mississippi River. I called my Uncle Tony while watching the sunrise over the green hill in front of me, to see what he was up to. He was probably still asleep in his big rig somewhere in America. I thought of him because he loves the south so much and gets a lot of loads for his truck in this area, so I was hoping he might be around. The call went to voice mail, but I left him a message, letting him know he was being thought of. I made my first waffle this morning. It was either that or stale toast, bagels or cereal otherwise. I figured I would attempt operation of the strange contraption. I was completely baffled by the thing at first, but after a few minutes of logical thinking I was able to pour the batter from the dispenser onto the iron grill, close the top while it beeped at me for a minute, then I turned the stupid thing over and viola! It stopped beeping and the timer started its countdown. Three minutes later, I had the perfect Belgium waffle before me.  
            While I was waiting for the shuttle to take me to Graceland, I sat down by a woman sitting in an armchair in the lobby. She smiled and introduced herself as Diane. She seemed sweet and we struck up a conversation. The fifty two year old, African American woman from California was traveling by herself for the first time since her husband died, just four months ago. She had been here for eight days to experience Elvis Week, then heading over to Houston, Texas to stay with family. She was smiling at me, but there was something sad in her eyes. I thought she was brave to venture out on her own after all these years. Before this experience, she spent a lifetime being static, living quietly with her husband in the south of California, never having seen more than it's surrounding states in all her years. We talked about our experiences as single women traveling on our own and had a good laugh over the same awkward vibes I got while I was eating my dinner alone last night. Being from California she was friendly and approachable like the other Californians I got to know when I lived there a few years ago. The people here were laid back and lighthearted but we found that they didn't show much emotion other than an aloof look on their faces, making them seem unapproachable, until you get to know them. She told me this in a whisper as she ducked her head to hide from the woman sitting over my shoulder. The woman behind me, apparently, gave her a bit of a brush-off when she smiled at her earlier. We exchanged information, vowing to keep in touch throughout our travels and give each other tips as we continued our separate adventures.
            While I was riding the shuttle bound for Graceland, about ten minutes from the hotel, my anticipation level was in the red. I don't even think I felt this way when I finally got to see the Great Wall of China years ago. My heart skipped at least two beats when I saw, in big chrome letters, 'Elvis Presley Boulevard' at its entrance and the official city sign posted above the sidewalk next to it. My parents once gave me a small tin replica of this street sign when they got back from a trip to Vegas. I still have it perched above an archway in my apartment. This was something else entirely. It was the real deal. Before this Boulevard got its name it was once the playground to Elvis's toy cars, motorcycles and carts, when he knew it first to be called Bellevue Boulevard. Just down the road I could see Graceland with my nose pressed up against the window, wanting to see it as soon as humanly possible. The shuttle at long last, plopped me down across the street from Graceland where the ticketing office and additional attractions were located. As soon as the door slid open Elvis's voice came echoing from every crevice of the area. Apparently, the tunes were coming from Sirius satellite radio where anyone with a subscription can listen to Elvis twenty-four hours a day, seven days a week. What! How did I not know this before? I wondered if the locals that work at Graceland could live the rest of the lives as happy as can be to never hear another Elvis song again. If I wasn't as big a fan as I am and had to work seven to eight hours a day, listening to him sing all day long, I'd probably wish I were deaf. I wasn't in line for very long, having just missed the massive crowds that were here a week ago to celebrate the thirty-fifth anniversary of Elvis's death during Elvis week. I stood in line for about five minutes, only to compare the different passes, the simple Mansion Tour, Graceland Platinum Tour or the Graceland Elvis Entourage VIP Tour. My decision was a quick one. I slapped my bankcard down and slid it across the counter to the ticket agent without hesitation and told her, "the all access Elvis Entourage VIP Tour please," with a massive grin on my face. Her face said Oh boy, we've got another crazy on our hands here guys. This pass allowed me to an audio-guided tour of Graceland Mansion and the grounds, a self-guided tour of Elvis' two custom airplanes, his automobile museum, ICON: The Influence of Elvis Presley Exhibit, Elvis Lives: The King and Pop Culture Exhibit, Elvis on Tour Exhibit, '68 Special Exhibit, and front of the line mansion access, which wasn't an issue or of any use on this fine Monday afternoon.
            Ready for the tour, I placed my nifty VIP badge around my neck, my headphones over my ears to hear the audio guide, who's voice sounded a lot like James Earl Jones, hit play and boarded the shuttle that took me to Graceland across the street. When I stepped foot on that driveway I was beside myself. I didn't know whether to scream for joy, kiss the ground or sob like a little baby. Instead I just stood there, not listening to James Earl Jones murmuring softly in my ear, because I was deaf to everything but the supreme joy I felt and the beat of my heart throbbing in my ear. Graceland, beautiful Graceland with its tan limestone walls, four Temple of the Winds columns and two large lions perched on both sides of the portico at the front entrance. I let the others who rode the shuttle along with me go ahead so that I didn't hold anyone up. I wanted time to take it all in, the benefit of going to something like this on your own. It was bigger than I had expected. Friends who had been on this tour before, told me that it was smaller than they had imagined, so I wasn't expecting much. To my great surprise it was quite the mansion, all 17,552 square feet and 23 rooms of it. Pressing replay on my audio guide, Mr. Jones restarted in my ear and I began my walk inside. I opened the door that closed behind the group that came with me and stepped through its frame and onto plush white carpets in the foyer. Most people would consider the white sofas, stained glass windows picturing bright blue peacocks framed around the doorway, with walls overlaid with mirrors and large royal blue and gold-fringed drapes, a little tacky. But, in the seventies this was the crème de la crème of interior design. I can imagine my own parents, with this kind of money, displaying the same kind of flourish to our own first home. However, when I stepped into the famed Jungle Room, I decided I might have to retract my statement above. This room was tacky to the T, but I absolutely loved it. Elvis had this large space decorated in an eccentric Polynesian influence, surely with Hawaii in mind. He loved going to those little islands on the Pacific so much that he tried to capture it in one of his living rooms. If I had a pina colada in my hand and the okay to sit on one of the fur covered armchairs, poised by the large, red fieldstone meditation fountain trickling water down the full length of its northern wall, I could truly imagine myself on an island in Hawaii in that room. I think it was the green shag carpet that sold me on the mirage though. How badly I wish I could've flicked off my flip-flops and walked over that bearded green floor. It looked as though it would have felt good on the feet. Oh, but Elvis didn't stop there with his shaggy green carpet. He loved the stuff so much he went as far as to cover the walls of the basement stairway, leading to and from the room, with it as well. This room was where Elvis supposedly had his final two studio recording sessions for the albums, The Jungle Room Sessions (previously called From Elvis Presley Boulevard) and Moody Blues in 1976. These albums were recorded just before he went on his last tour. I liked imagining the idea of him sitting by the fountain strumming his Martin guitar, bare toes digging in the shag carpet while he sang with his band. If only I could have been a fly on that wall then.
            My all time favorite spot in the mansion, however, was the basement. To the left side of the stairwell, was a television room harboring Elvis' version of todays picture in picture technology. With three television sets nestled snuggly into the facing wall, Elvis could watch three channels at the same time. Brilliant man! Brilliant! In front of the televisions and Elvis' record collection, was a large, plush, deep blue sofa arranged in a half circle with matching ottomans beside a white marble fireplace. On the right corner of the room and at arm's reach of the sofa, was a nice little wet bar that stood beside a wall featuring his legendary trademark lightning bolt splitting dark clouds against a golden yellow sky. This represented his "takin' care of business (in a flash)" motto, which he adopted and used often in the late 70's.
            Just across the way of the television room was the billiards room on the right. You haven't seen someone like a piece of fabric more than Elvis did with the looks of this room. He not only covered his walls with an intricate pattern of blues, reds and yellows, but he also kept right on going to swallow the ceiling and the two couches in the room. It felt like I was dropped inside Mary Poppins' carpetbag. It just got better and better with every room. No wonder he had his own furniture sent in to his hotel suites when he was on his tours, arranging the room to look as much like Graceland as possible. How much fun was it to live in a place like this? A theme for every room! I've always said I would do that to my own house some day, although, I might pass on the green shag carpet and psychedelic billiard room, but something in that vicinity anyway.
            Walking out and into the back yard, was not only blindingly bright, compared to the dimness inside the mansion, but I haven't walked through that much luscious green grass since my last stroll through Central Park. Behind the mansion, I continued towards Vernon's office. Vernon was Elvis' father and manager. The building looked like a large shed behind the massive mansion but inside it was a very spacious office. The area was dressed in the typical 70's style, wood paneled walls surrounding two desks, a brown leather couch and a few filing cabinets. It was everything you might see in an old episode of Columbo. Attached to the building was a two room smoke house built of red brick that was probably once used to house servants before Elvis bought Graceland. In one of the rooms was a miniature model of Elvis' first home in Tupelo, Mississippi, where he lived with his mother, Gladys and his father. The actual two-room house was not much bigger than Vernon's office next door. It's amazing to think that someone who came from such humble beginnings could now be, even after his death, the second richest entertainer in the world. Only falling behind Michael Jackson after his death in 2009. Sure makes you put things in perspective. If a 17-year-old boy from Memphis, Tennessee, born in a house the size of a shack and so poor that he didn't even own a record player until he was discovered, could do that, makes you wonder what you could do if you really put your heart into something.
            Walking back outside and into the structure, now called The Trophy Building, a new wing on the south side of the mansion, initially housing a slot car track but was later remodeled to house Elvis' legion of awards, trophies, and other honors, as well as memorabilia, guitars, jewelry, and stage costumes, was a spectacular sight. I had never seen anything like it. Hundreds of awards lined and 80-foot hall called the Hall of Gold, because it was just covered, completely, with all of his gold and platinum albums and singles, including his three Grammy Awards and a Lifetime Achievement Award from the National Academy for the Recording Arts and Sciences. All you could see for 80-feet was gold shining in every direction. The Federal Reserve Banks might be the only other buildings that could contend with this collection, if they were really made of gold or platinum. It was overwhelming to the eye but such a beauty to see. I wanted to snap a picture of every one of them, but I would have either lost space on my memory chip or lost battery power before I reached the last award. A few people who had joined me in the hall attempted the feat, but gave up after just one third of the length of the hall, then just took pictures framing chunks at a time. However, when I saw the golden shine of my favorite single, 'Now or Never,' a song that became a theme for me since I was ten years-old, I snapped a few pictures of record. When I say a few, I mean ten. Of all of these awards, and there are hundreds, the one and only ceremony Elvis ever attended was not for one of the three Grammys he won, but for the U.S. Jaycees award as 'One of the Ten Outstanding Young Men of the Nation' for 1970. He was so proud of that 'touching hands' award it had become so worn out from carrying it with him whenever he went on tour. How humble is that? They don't make celebrities like that anymore. Maybe Johnny Depp, but that seems to be the exception.
            In the building located behind the gold reserve, was the Racquetball Building. Elvis had this building built in '75, when it became one of his favorite past times, then later served to, yet again, exhibit more of Elvis' awards and a few of his stage costumes, encased along the base of the two story high walls of the old racquetball court. It's a good thing we were all prepared in the Hall of Gold, our eyes adjusted to the light gleaming from all the shiny awards, because walking into this building could have blinded us. The entire north and east walls were covered in gold and platinum records presented to the Estate in '92 by RCA executives and the Recording Industry Association of America (RIAA), the largest single presentation of gold and platinum awards ever made. It was breathtaking. This is the building that began to take its emotional toll on me. I knew I was nearing the end of the Graceland Mansion tour and just outside I would find his grave, but in this building, Elvis spent some of the last remaining hours of his life playing a few tunes on his piano in the lounge area just outside of the court, surrounded by girlfriend, Ginger, cousin Billy Smith and his wife. I could almost hear him play the soft notes of 'Unchained Melody' and 'Blue Eyes Crying In The Rain.' Listening to the commentaries of his ex-wife, Pricilla and daughter, Lisa Marie on the television in the court room, sharing their memories of Elvis didn't help my emotional state. I had to keep a knot stuck in my throat from releasing itself from my eyes in front of a room full of people, who seemed in the same predicament as myself. When Mr. Jones finished his commentary in my ear. I proceeded to walk out of the court and towards the meditation garden.
            Nestled peacefully beside a meditation garden with a running fountain and burning eternal flame, was Elvis' grave, along side his mother, father, grandmother and infant twin brother. This is when I ran out of battery power on my camera. After a round of photographs capturing every angle, every word written on Elvis' grave, along with the others, including the posters, flowers and pictures from family, friends and fans all over the world surrounding the graves, my camera gave up. It was more than my AA Duracells could handle. There they were. Once the residents of the mansion looking down on them, they now rested beside it. And yet again, I was on the verge of tears, ready to spring from my eyes with just one more person whispering how sad this was. I couldn't sit there like some of the others, staring hopelessly at the plaques covering the graves. Some of these people were old enough to have Iived through Elvis' entire career and therefore suffered his passing. I might have been the youngest person on this tour all day, but if I was alive when Elvis died, I would still be in mourning in a way far worse than I am after the fact. To have to live in a world without Elvis, when he was what surrounded the music world for over two decades for these people, seems unimaginable. I decided to walk through the grounds, instead of torturing myself at the graves. On the journey to the front of the mansion, shaded by massive oak trees you couldn't help but feel small next to such large surroundings. Looking up at the third floor, safely tucked away from the prying eyes of tourists, is where the family members sometimes still keep their residence. It makes me happy to know that they're still attached to the place and can still have their private things and family moments without the pretense of strangers. Let them have their king, the way only they know him and we'll live what we already have.
            Back across the street, the time had come to finally see that pink Cadillac I've been drooling over when ever I think of the famed car Elvis' lovingly bought his mother, with the first chunk of money he made. Be still my heart. A man who is good to his mother gets me every time—and side burns, of course. I've wanted to see this car since I was a little girl with pigtails. I think it was the pink that drew me. It looked like the Barbie car I used to run Ken over with, only much better.
            After purchasing new batteries at the gift shop and more CD's than I have bought in the past five years, all of Elvis, I took my fully loaded camera and went to town taking pictures of all the classic beauties Elvis owned. Including his motorcycles and refurbished golf carts. However, when I turned the bend of the studio, made to look like a 50's suburb, including a drive in theater and gas station/gift shop, I nearly wet my pants. There it was, the 1955 'Elvis Rose' Fleetwood Series 60 Cadillac, and it was as big as one of my first apartments in the city. If it had a sink with running water in the trunk, I would have preferred to live in that instead. It was very surreal to be standing in front of the car, in fact, the whole experience of Graceland, had that feeling, but it hit me here when I saw the car with my very own eyes—not on a poster, in a book, CD cover or Christmas card, but two feet away from me. My Barbie would have been very jealous, Ken would have run for his life. Next to the pink Cadillac, I'd say that his Convair 880 jet, with gold plated belt buckles and green upholstery, christened after his daughter, Lisa Marie or "Flying Graceland," as Elvis liked to refer to it as, was the toy of all toys. Be nice to have one of those parked in my driveway, if I had a driveway.
            By two in the afternoon, I was hunka hungry for some nourishment. At the 50's style Rockabilly's Diner, playing continuous Elvis on a Wurlitzer Jukebox I've longed for since the beginning of time, I spotted a peanut butter banana sandwich on the menu above the register. I hate bananas. However, I had to have this sandwich. Not only was this a grilled peanut butter and banana sandwich but also, it was the same sandwich Elvis would eat as his snack of choice, made exactly like he enjoyed eating them. After I received my order and found a small table by a window, right next to the five-foot Wurlitzer spinning an Elvis tune. I contemplated my sandwich for a few minutes, hesitant at first but famished, then took a bite. Wow, this sandwich was actually amazing. The salty butter crusted outside of the bread in combination with the melted peanut butter and perfectly ripe bananas, was an explosion of deliciousness in my mouth. The peanut butter masked the texture of the bananas, which I think is the main reason I don't like them, so I only got a hint of its sweet flavor against the peanut butter. Elvis did it. He got me to eat a banana and actually enjoy it. It's a miracle. My mother made me one of these sandwiches once when I was really young. The only reason I agreed to let her make me one of these was because she told me it was what Elvis used to eat. Well if Elvis ate it then I will too, I thought. Later I assumed it was a lie she made up just to trick me into eating a banana under false pretenses. I hated it. I believe the secret, and where my mother failed, was that the perfectly ripened bananas had to be lightly mashed and mixed with the peanut butter and grilled with lots and lots and lots of butter. My fingers were covered with the greasy goodness. 
            After I finished my lunch I called my mother. She picked up on the second ring, surely worried about me being out in the world alone and curious about Graceland. When I told her what I was eating at the time, her response was, "Oh no. Your passing through hunger aren't you?" spoken in her broken Portuguese. Confused by her question I responded, "No, why would you think that? I just told you I bought a peanut butter and banana sandwich. I'm eating."
"Because you're eating bananas! The only reason I can imagine why you would be eating something with bananas was because you were starving and had no money for anything else." I burst out in laughter in the middle of the peaceful diner. An elderly couple in mid bite of their burgers, quietly listening to Elvis croon on the jukebox, turned in my direction. "Sorry." Continue with your listening and chewing pleasure. When I reminded her that it was the sandwich Elvis used to eat, it registered. When I told her I actually loved it, her response..."It's a miracle."
            One of the last attractions I saw at Graceland, located next to the diner, was the Elvis on Tour Exhibit. It's a good thing I chose to do this one last. I didn't realize it was going to effect me the way that it did. What I was expecting was to just look at a few of his costumes and maybe a few pictures from his tours or what not and that was that. What I saw when I entered the exhibit was, yes, some of his fabulous costumes from his last tours, and a few pictures, but inside a narrow room surrounded by these items were about four or five flat screen televisions. On the televisions, Elvis' last living documentary showcasing his '72 tour series was playing with added commentaries from his closest friends, family members and co-workers discussing their personal experiences with Elvis and how it affected them after his death. When I entered the room just a handful of, mostly elderly people, sat along benches that lined both sides of the glass cases against the walls and a row running along the center. I found myself a spot among the seats where I could get a good view of one of the televisions. As I sat there, watching the amazing documentation and rarely ever seen footage, the room began to fill with more people, squeezing into the spaces along the benches and some choosing to stand for a better view. After twenty minutes of watching and listening to such sad recollections, I began to feel that knot start to tighten in my throat again. Sitting across from me was a man with his wife, who looked as though he could have been the same age Elvis, had he still been alive today, maybe slightly older. When I looked over at him I noticed tears beginning to stream down his face. He tried to wipe them away at first, but more just followed. And that was it. I lost it. The control I had on that lump in my throat gave way and came exploding from my eyes, matching the tears of the man sitting across from me. It was bad enough listening to the video commentary but seeing an elderly man cry was more than I could handle. It was Niagara Falls on all our faces before long. It felt like I was at a funeral. The entire space filled entirely of elderly people, who had lived through Elvis' full lifetime and had to experience the world without him after, sat or stood there, in complete silence for thirty minutes, listening, crying, and mourning. I was a hot mess and I was only born three years after Elvis died. I never really knew him. Imagine what my mental state would have been like if I had been as old as these folks? It was as though Elvis had just died last week at the looks of us in that room. Our hearts were broken. The last time I reacted to something similar, was years ago when I paid a visit to the Holocaust museum in Houston, Texas. I was fine through most of the museum, but when the group of us got to a section that housed small suit cases, children's toy dolls and clothes left behind from the children who were killed, I exploded in sobs like I had just witnessed their demise before my eyes. I had to leave the museum because I couldn't get a hold on myself. This experience was pretty close.
            Wiping the remaining tears from my eyes as I walked out into the brightness of the sun after the last exhibit. I realized I forgot to look at the wall by the front gates surrounding Graceland. I couldn't get a good look at it from the ride on the shuttle, so I made a mental note to go back on foot. Crossing the wide boulevard through the crosswalk, I noticed for the first time, a painted picture of Elvis in profile, right on the street at the center of the crosswalk. Stopping in the middle of a flashing orange hand, warning me to hurry the heck up, I pulled out my camera, snapped a quick picture of it, then booked it across. I probably looked like a complete fool to the locals, but I'm sure they're used to this fanfare. Yeah, if this was the 60's and Elvis was still alive, I'd be one of THOSE fans.
            Taking a close look at the wall, I saw that every square inch of it, in its entire length, was covered with hand written messages from fans, in every language under the sun, longing that he was still here, wishing him a peaceful rest, sending their love, marking their visit and place in the world of Graceland's front gate. It was an amazing sight. I wanted to do the same thing, but I 'm sure that these messages were not written in broad daylight, out in the open, with no one blocking my vandalizing well wishes and deep regrets with a guard in his booth less than ten feet away. Also, I didn't have a pen on me. So it never happened. However, I took enough pictures to cover my own walls and whispered my message to the wind, hoping it would find the right ears to listen.
            While waiting for the shuttle to take me to my next destination, I contemplated whether I should risk taking a look inside Heartbreak Hotel and possibly missing the last shuttle out to Sun Studios, or just wait patiently and cut my losses. With fifteen minutes on the clock, I decided to make a dash for it. Who knows what could happen in the next few months or the next few years? I may never get to see this place again. I can't pass up a chance to see Heartbreak Hotel when it was just yards away, even if it was just for a five-minute sneak peak. That would have torn at me for months, or every time I heard the famed song if was named after, from that day forward. I'd be wracked with regret at the lost opportunity. So, I booked it behind the exhibits, through the parking lot and burst through the front doors. Composing myself in the entrance, I pretended, as best I could, to make myself look as though I belonged there. Upon entering the unexpectedly small lobby, decorated in deep blues, reds, yellows and purples, furnished in a retro 50's style, I noticed a gift shop to the left of the front desk and a little nook on the right that gave me a little chuckle. The nook housed two computers stations and a large laser printer/fax machine, with a plaque above naming it the 'TCB Center.' I discretely snapped a picture of the sign, of course. In front of plush purple and red chairs was my favorite item in the lobby. A small black and white television in the style of the early 50's models, playing one of Elvis' first movies. I didn't get to see much more than those three spaces but I was told that the shuttle also picked passengers up outside the hotel's front entrance, so I had a few extra minutes to linger in the lobby. In that time, I sat watching Elvis on a 15' inch screen, while he sang over the lobby's speakers above me, inside the Heartbreak Hotel. Amazing. Oh, snap. There's my shuttle...wait!...I'm coming!

To be continued...

Wednesday, August 29, 2012

1100 miles to Graceland—Act I

            The first solid "A" that I can remember getting on a school paper, was in my sixth grade history class. Our teacher gave us the choice of picking any historical figure we wanted to research and write about. At the time, we were probably learning about the Gettysburg Address. I chose to do it on Elvis Presley. That was also the first time I ever wrote anything that was more than three pages long and actually enjoyed doing it. I'm sure I could have gone on to write another five more pages if given leeway, but I thought it was best that I quit while I was ahead. I was so proud of that paper that I saved it, filed away like an important legal document, as a reminder to myself that I have it in me to do great things when I let passion guide me. Last night I pulled out that paper, time traveled back to 1991, and with a big smile on my face, I realized that I was going full circle and finally going to Graceland. This paper never would have existed, I probably would not have passed sixth grade history, and I would likely never have found myself on a plane heading to Memphis Tennessee, if it wasn't for this great man, Elvis Presley. The time had finally come for me to strap myself to the seat of a jet plane out of NYC and into the blue yonder above. I've been waiting to take this trip, not for months, but years. Ever since I was old enough to know where Elvis Presley lived and where he started it all, I knew I had to go there some day. Back in the beginning of May I made the decision to purchase a ticket to Memphis Tennessee and the day had finally come to cash in on my investment.
            Last night, while I was packing my bags, I made sure to compose an essential Elvis playlist to get me revved up for the long journey south. Before I walked out the door, at stupid o'clock in the morning, I kissed my fat cat goodbye as she went to town on the massive bowl of food I left her and, therefore, could care less that I was leaving her for three days, I closed the door behind me, plugged my headphones into my ears and let Elvis take the reins to his Graceland. My excitement had been building a little more every day since I booked this trip and today, I was on the verge of exploding. As I sat on a bus heading to the airport, I could not wipe the smile off my face. I'm sure the people around me must have thought I was insane or a tourist from some provincial town in the middle of nowhere, traveling to New York for the first time. With only four hours of sleep, pure adrenaline and anticipation pushed me toward my destination. First stop...Chicago, with a four-hour layover. Then, a straight shot from there to Memphis Tennessee, home of the Blues and the King of Rock and Roll.
            Whenever I go by an airport I can't help but be amazed by the planes as they lift their thirty something ton, Boeing bodies into the air, as if they weigh as little as a sheet of thick paper. I've nearly front ended my car a time or two looking up in a state of awe watching them fly past my windshield. I always feel that sense of longing to be on the plane, wishing I could be strapped into one of those seats heading off to distant and exotic places instead of finding myself strapped into a car or bus, in the heat of traffic. Likely, going to work or home to my cat. Sure enough, I found myself in that same state of awe as the bus reached the airport terminals and I missed my stop. Luckily, I was just one terminal and a short walk away from where I needed to be.
            As much as I love flying, I equal parts hate going through security. I'm the last person in the world who would ever be a threat to anyone, and certainly not stupid enough to do anything at an airport in New York City, if I was. Nevertheless, whenever I have to pass through a metal detector, it doesn't matter if I'm down to wearing next to nothing on my body I still can't help but get very uneasy passing through the detectors. It's the same feeling you might get when you're borderline drunk and try to pass yourself off as sober. Only here, you are "sober" and you still feel like you have to prove it to the authorities. With paranoia running the show, I just start to look suspicious even to myself. I had anticipated all of the security measures before hand and made sure I wore nothing metallic, shoes I could easily slip out of, no belt, no watch, no jewelry, nothing. At the gate I'm ordered to step through the metal detector and BEEP, BEEP, BEEP. What the... I look at the large man in front of me, sure my face is fifty shades of red, and he tells me to remove anything I might have that could be setting it off and step through again. I had nothing left to take off but my very shirt and pants, which I indicated to the man with a lift of my shoulders and my palms in the air. He had me step through again anyway then said, "Oh, sorry. It's just a randomly selected search. You can step back through and follow that guy over there." Wonderful. I nearly went full Monty just to prove myself innocent of terrorism. The large man by his side steps in and takes my belongings, a bag, computer, purse, and shoes. Then carries them over to a table set off to the side and I am told to stand on the other side of the table with a warning not to touch the items while he searches. Oh, man. I hope he doesn't find my tiniest bottle of the most expensive lotion I've ever purchased. I swear it's not a dangerous chemical. PLEASE don't throw it away. Or, at least let me slather it all over myself now, so I can at least put it to use. The officer takes a long black wand, attaches a small cloth to the end, I assume is a disposable chip or sensor of some sort, then proceeds to prod in every dark corner of my bag and purse. I guess I should be glad that they're so thorough. But, if they throw my lotion away, so help me, there will be hell to pay! Luckily, there was no issue and I was free to go, lotion and all.
            I should hang out at the airport more often. Even if I have to deal with security and know I won't be going anywhere, it still has its perks. Take the moving walkways. Those things are awesome! I could just ride them back and forth through the hallways, pretending to have super speed walking abilities all day long. Good exercise. Take the guy who was coming up beside me for the second time around. Once I had my own little ride and found a seat in front of the moving walkway by my gate, I noticed the same guy loop around at least four times before calling it quits. I don't know if he was just confused or if he really just enjoyed the ride. He didn't look as though he was lost, a confused foreign, or "special." In fact, he was dressed in business casual, toting a rather nice Samsonite bag and wore a serious "I mean business" scowl on his face. Maybe he just needed to stretch his legs. Long day ahead of him I bet.
            When I got on the plane I had to sit smack dab in the middle of two middle-aged men. Not my favorite place to sit on a plane, but it's better than sitting inside the airport with no place else to go. The man by the window on my right was studiously highlighting large chunks of paragraphs in his leather bound volume of Constitutional Law, which was equal in size to about three volumes of the Encyclopedia Britannica. This thing was severe, close to maybe two thousand pages. The poor man was only on page twenty-four when I sat down next to him. I believe the book was his only carry on luggage, because he left the plane with nothing more than a jacket draped over his arm and that book. The flight itself was a series of dozing in and out like I was riding along peaks and valleys. As Elvis crooned songs like "Are You Lonesome Tonight" I found myself starting to lean towards the guy running out of ink on his highlighter, trying to stay awake himself.
            The second plane was not much bigger than a single engine aircraft. The few of us who were catching a ride out to Memphis in the little thing, had to go out on the tarmac and walk to it, because the plane was too low for connecting a bridge. If I were just two inches taller I would have had to crouch all the way to my seat. I don't know if someone on the last flight was munching on something slathered in BBQ but the entire cabin smelled like pulled pork and armpit. It might have had something to do with being in such close quarters everyone and far too close to the bathroom. I liked the flight attendant on this second flight. She reminded me of Phoebe from Friends. She was the only attendant on the flight and always had something humorous to say. When she was demonstrating the emergency measures, she had to go back and forth between first class and economy and repeat each step as quickly as possible to keep in time with the prerecorded announcement. She did this in such a way that it looked like she was line dancing. Every step backward and forward between sections was ended with a little shimmy and a shake. We all had ourselves a little chuckle. This time I had a window seat so I had a chance to nap for about an hour and when I opened my eyes I was looking straight down at the Mississippi River. I was so excited to see that river. For whatever reason, and I can't help it, every time I say Mississippi it comes out in a twang. Even if I don't say it out loud, I think it in a twang. "Missssippeeea." It might have come from watching Huck Finn or Tom Sawyer one too many times when I was growing up. That's how they sounded in the movies when they said Mississippi, so that's how I learned to say it. I loved actually seeing that river for the first time, knowing that I would be that much closer to it than ever was thrilling.
            When the plane finally landed I found myself suddenly feeling very nervous. I realized for the first time, that I had never traveled to an unknown place on my own and didn't have someone waiting for me at my final destination. It hit me that I had no idea what I was doing or where I was going. I did as much research as I could online, but on a flat surface everything seems so orderly and simple. The three dimensional version, with moving objects, and unpredictable people, is a different story altogether. When I walked out of the airport, the first thing I wanted to do was just head straight for Beale Street, but I knew I had to check into my hotel first and leaving my load behind. That only made more sense. At least I knew the address, if not the direction it was in. So, I found myself a taxi, climbed in and head for the Super 8 downtown. I wasn't expecting the Four Seasons when I chose this hotel back in May. What I was looking for was just a bed to sleep in, a working bathroom, and free Wi-Fi. That's exactly what I got. I wasn't planning to sit in a room all day anyway. I had much to do and not a lot of time to do it all.
            In about a five-minute ride from the hotel is where I found the famed Beale Street, the spot from which the Blues started its journey which lead to the world’s ears. Historically, Beale Street was where the likes of Louis Armstrong, Muddy Waters, B.B. King, Rufus Thomas, with all of his funky chicken and dog songs, and other blues and jazz legends played and made names for themselves. In fact, as a young man, B.B. King was billed as "the Beale Street Blues Boy" when he performed. These guys helped develop the style known as the Memphis Blues, made famous first by W. C. Handy with his song "Beale Street Blues" when Beale Street was actually an avenue, then later changed because of the influence of his song. This location was also important in the early civil rights movement and where many of the shop owners were African Americans in that time. If this were a Saturday night instead of a Sunday evening, or a week ago when it was the thirty-fifth anniversary of Elvis's death, this street would have been jam packed with people like it was New Orleans during Mardi Gras. I was okay with the smaller crowds and slower pace though. If I wanted a crowd I would have just stayed in New York City.
            The second I turned the corner onto Beale Street, music from every shop, bar and restaurant wafted through their open doors and windows, mingling in the air like smoke from burning incense. On each side of the street were 19th century red brick buildings holding up neon signs promoting their BBQ Ribs, "big ass beers" and live music. The first place I walked into was a shop simply called, Memphis Music. Inside the building I was struck by the warm tones of the hard wood floors, wood trim walls and its casual atmosphere. At the counter were two women talking to each other in breezy conversation. Roaming the store was an elderly African American man bopping his head and singing along to the blues man singing over the speakers in the shop. It was strange and refreshing to see, among the racks, artists that I was familiar with and many that I was not. You were not going to find a Britney Spears or a Justin Bieber in this place, thank God. I was elated to have a new variety of music to listen to for a change. I haven't bought a CD in so long, I honestly can't remember my last purchase. I just don't care to listen to anything that has come out in the last five years. It's just been an MP3 track here and there but nothing I've wanted to listen to over and over again like I used to when I LOVED a song. I haven't loved anything that much in a long time.
            As I rummaged through the racks I heard a song on the stereo I just couldn't get enough of. But of course, I had no idea who it was I was listening to. So, I turned to the elderly man still bopping his head and singing along with the music, sure that he would know. The man smiled at me, put his long boney fingers on my shoulder and said, "Darlin' let me show you the way." I liked this man. I wish my Uncle Tony were here to meet him, I thought. I fell in love with Jazz years ago, but I started to fall for the blues because of my Uncle. The way he talks about jazz and the blues would make you want to cry. His passion for the old sounds is so intoxicating you can't help but want to give it a try even if you never cared to listen to it before. His descriptions "show you the way," and this man was not only full of this same passion but had also lived smack dab in the center of it all his life. If I only had a few more days, I could have learned a thing or two from him. He lead me behind a rack and pulled out a CD from a five time Grammy award winner called, The Robert Cray Band. Ha! Do I know good music or what? I didn't have to think twice about it, I just purchased the CD. Before I left, he told me I would like the music from the Rum Boogie Cafe down the street, but that I should go to B.B. King's Blues Club next door tonight. I thanked the man for his recommendation and to B.B. King's I went.
            When I walked into the club I saw that they had crawfish and hush puppies on the menu. I've always wanted to try crawfish but never saw it on any of the menus back in New York. I suppose that even if I did, I wouldn't have ordered it because I would have wanted to have the real deal here in the south. I was a little uncomfortable going in alone here. In New York City it's very common to find people eating or just sitting alone somewhere. I suppose it's because many people are either single, too busy to cook at home or their apartments are too small to make a decent meal for themselves, so they eat out all the time, even if it's alone. I forget that outside of that little world, it's not so common and it brings attention I don't want. The double takes, the quick glances and pity looks when they see that there are no signs of another person who might be joining me, drive me up the wall. I gave them something to think about though. I gave them all of my mysterious, confidant, I don't care what anyone thinks about me, attitude I had to give. As I jammed to the blues man on stage, blowing on his harmonica, I ate my delicious crawfish dinner and sipped on my sweet tea like I hadn't a care in the world. An older woman sitting with her husband at the table next to me, who had been glancing my way far too often, turned to me at one point and asked, "Sorry to bother you, but do you know where to pay the bill?" as if I worked at the place.
"I'm not sure, but I believe you pay your waiter," I responded.
"Oh, sorry, I thought you would know. You seem like someone who comes here a lot." I just smiled at her and thought, Ha! Little do you know.
            After I had my fill at B.B. King's, I perused the reset of the street, listening outside the open doors and windows of each club for a song or two then moving on to the next one. Each band seemed as amazing as the next. It was so difficult to pick just one place to go into, so for tonight I went through all of them like I was at a Costco picking up samples as I did my shopping.
            Before I head back to the hotel, I wanted to see one more thing. I was going to this place the following day for a tour, but I wanted to see it alone that night, to really see it without all of the other tourists in my way and a tour guide pushing me forward. I wanted to have a moment to soak up the place. Sun Studios, where the beloved Elvis Presley, Johnny Cash, Carl Perkins, and Jerry Lee Lewis started their music careers. I knew from a map that it wasn't far from Beale Street, in fact, it ran parallel to the street. So I walked what I thought would be a few blocks, but before I knew it, I was over a mile away from the bright lights and crowds of people on Beale Street, and found myself in a desolate avenue with far too few streetlights for my taste. It was probably not the smartest thing I could have done, but I had already gone that far and the numbers were telling me I was almost there. I couldn't turn back now, but I was scared enough to take my money and credit cards out of my wallet and stuff them inside my bra, just in case someone wanted to mug me. Luckily, it never happened. Although I was scared I was also excited. I think the best way I can describe the feeling, is something close to what if feels like when you're in a new relationship with someone and you can't wait to see them after you've been apart. That same infatuation and thrill you fly high on is something similar, if not the same. I was also afraid of being disappointed too. That I would come upon the studios, nearly passing it, and find it to be run down or dramatically changed, like so many things from the past. Like many of my own past experiences, where I idolized or assumed something as a child just to find out later that they were far from glamorous or magical after all, and walk away holding the broken pieces of my heart with me.
            When I hit the 700's I could actually feel my heartbeat picking up speed. It was just ahead, number 706. And there it was. I saw it a block away and heard the beating of drums before I reached the spot. I wanted to cry. I stood across the street from the studio and couldn't move. I pulled out my phone, having left my camera back in the hotel room, and turned on the camera application. Just as I was about to snap a picture, my phone told me I didn't have enough battery power and it shut itself off. What the... dang it! I shoved my phone back into my pocket. I knew I would be able to take pictures on the tour the following day, but I wanted to capture this moment. It's just as well though. I don't think I really could have captured the moment on a piece of glossy photo paper or from looking at it posted on a digital album anyway. It felt like a dream. Surreal. As though I were looking at a Chris Consani painting instead. The glowing neon yellow Sun logo against the red brick above the shaded glass door was unreal. There was a session going on inside and the strums of the guitar, beat of the drums and plucking of the bass permeated the air like a fog. The sounds were the soundtrack to the movie I was now seeing. The only thing missing was the million-dollar quartet walking into frame. I crossed the street and touched the warm brick of the building like I was at a memorial, feeling so somber. I wish I could have been alive to see this place as it once was. I wish I were around for a lot of things. I just couldn't imagine a world that didn't have the music that came out of this little brick building. I was so grateful that I got to see this place by myself and pay my respects to their fallen heroes. It was the perfect ending to my first night in Memphis and something that I will have embedded in my head for the rest of my life.

To be continued...

Monday, August 27, 2012

Into the woods

            Last night I might have experienced one of the most enchanting moments of my New York City life up until now. Erin and I had one of the luckiest strokes of good fortune when she won two tickets online for the Shakespeare In The Park production of "Into The Woods." Let me just say that the odds of getting these tickets on a normal day, let alone on a Saturday night, is about 1 in 600. This is less than a 3% chance of a possible win between those waiting in line and those entering the lottery online. She's been talking about seeing this musical all summer but hasn't had the patience to stand in line for the nine to ten hours it takes, as early as four o'clock in the morning. Most of the time, even those who do wait that early still don't have a guarantee spot despite their extraordinary dedication. I've never actually heard of the musical myself, until Erin brought it to my attention a few weeks ago. However, I've wanted to see a play at the Delacorte Theater in Central Park since I've moved to the city back in 2004. While I was at work yesterday, Erin sent me a quick message that she's going to submit our names in the lottery and is certain she is going to win this time. Exactly thirteen minutes later, I got a message back from her saying that she won the tickets with as many exclamation points as I can actually imagine reflected the pitch of her voice, in which she would be screaming in my ear had she actually been in my presence at that moment. Glad that I was at work at the time that she got the news, I jumped for joy first that I was saved of becoming hearing impaired and then that I was finally going to see a play in the park.
            With great enthusiasm, a friend at work gave me a quick run down of the play, its cast and plot line. In short, the play, written by Stephen Sondheim and James Lapine, is a story based on the characters of the classic Brothers Grimm fairytales we grew up loving. However, our beloved fairytales characters are thrown into these woods, intertwined in a fractured version of theirs stories and tinted in a darker hue paralleling reality, in a fashion similar to the Shrek movies. Now, we know very well that life and love are nothing like a the fairy tales we grew up believing in, but it's nice to get lost in the idea of it now and then, and forget that we're bitter thirty-something's and succumb to childlike rapture we used to live in. Why not? We can go back to pretending we're adults again tomorrow...to the park!
            Once I got out of work, I jet over to the upper west side as fast as I could to meet Erin and a few friends before the eight o'clock performance. On my way there I happened to come upon Cafe Lalo, the very cafe that Tom Hanks and Meg Ryan filmed You've Got Mail. I knew the cafe was somewhere in the neighborhood of the upper west side, but I never imagined that it still existed, and surly not in the same exact condition it was in when they filmed the movie. I had watched the film so many times I knew exactly what I was looking at the second I happened to looked up. Note to self: I'll have to go back when I have more time, so that I can actually go in and enjoy a cup of coffee. What luck that I found this place by accident!
            Entering Central park from the west side, just after the sun had set, under cast iron lamps illuminating the path to the theater, combined with the flickering glow of the hundreds of fire flies roaming about us, made the prelude of the evening feel like we had been dropped smack center into one of Grimm's fairy tales. It could not have looked more enchanting than if production designer, Norman Garwood, had fabricated the entire thing from his very imagination for our viewing pleasure. We weren't even at the theater yet and I was already amazed.
            Once we entered the theater, Erin and I began our never-ending climb to our "boxed" seats. It's a good thing I'm not afraid of heights because we found ourselves two seats away from the edge, in very last row of the theater. I think they figured, we won these tickets with no more work behind it than having to punch a few keys on a computer, while most of these poor shmucks had to wait in line for all hours of a perfectly good Saturday morning for their tickets. It's only fair that we should, therefore, get stuck in the nosebleed section. I couldn't complain though, I just had to show up, walk in and watch the play. Also, when I say worst seats, there really weren't any awful seats in the place. They were all perfectly viewable, if you had 20/20 vision or didn't forget your glasses, like I did. Although, once I got just the right mount of moisture in my eyes for squinting, I was good to go.
            I've walked past the open air theater, enclosed by it's high walls, during a matinee performance a few times, always wishing I was inside watching the actors exhibiting their talents to crowd before them. I considered climbing a tree just to get a peek inside once, but those crafty groundskeepers were smart enough to expect us poor urban folk to do such a thing and had presciently shaved the lower branches of the surrounding trees to prevent anyone from climbing them. Still, I think I saw a few trees swaying in the distance during the night, at odds with the wind. Sure that some determined few managed the climb up somehow. The stage below us looked much like the forest I imagine Peter Pan living in at Never Land. It was a child's tree house dream-come-true. Spiraling stairs climbing a forest of long oak trees, snug securely at the base of a dirt-covered stage triggered the memory of days I played on jungle gyms in elementary school. Fascinated by the set herself, Erin passes me her phone a few minutes later and says, "Take a picture for me, you're better at it than I am." Thinking back on it now, I think she was just tricking my ego into doing her dirty work. Glad to be so capable, I took the picture and just as I had snapped the perfect shot, I got a needlepointed nudge by Erin's elbow and turn to look at what she wanted. Her stiff upright position and tense profile told me that something was rotten in Denmark. Sure enough, I look behind me and one of the ushers had spotted me taking a picture. Trying as nonchalantly as possible to hide the evidence, I tucked the phone under my armpit just before the usher sauntered casually behind my chair. He stopped behind me, ducked down to my eye level and whispered in my ear, "You know, you almost got away with it. But you looked back. If you didn't look back with guilt written all over your face, I never would have noticed." Dang it. I was always a bad liar. "You'll have to delete the photo," he finishes. Dejected by my own idiocy and self-betrayal, I bowed my head in disgrace, pulled the phone out of my armpit and handed the phone back to Erin to delete. I was tempted to take another picture when I was out of the man's eye-line, just for good measure, but it wasn't worth getting kicked out of the theater just to prove that I could do it.
            The play itself was hilarious...and depressing, all at the same time. Somehow, Sondheim  and Lapine were able to flip the fairytale world completely on its toes. Because children, somehow, only seem to catch the good, happy-go-lucky moments in a story like this, they were safe in their happily ever after world. But for the adults, sheesh, the truth hurts. One minute I was laughing with tears streaming down my face, the next minute I was on the verge of sobbing in self-pity just thinking about how even in the fairy tale world someone could take even Prince Charming and turn him into a cheating womanizer too. Don't we have enough of that in the real world these days? Now they have to smash my favorite prince into fairy dust too? Come on. Give me something to hold on to here.